Michael Olivo. He had to design a book cover, endpapers, titlepage, and bookplate for The Wizard of Oz for a course in college.

These are incredibly well-designed book covers by Jim Tierney.

(Pretty sure Robert shared this with me months ago.)

GOOD’s neighborhoods issue includes flags created by designers, artists, and illustrators celebrating their ‘hoods.

via Unequal-Design.

sagatrope:

These covers were designed by Mikey Burton to be “an integrated branding campaign based around the illustrative reinterpretation of classic book covers directed toward junior-high-school students.”  Check out Burton’s flickr page for even more great looking concepts.

[via flickr]

[via booklover: awritersruminations: acoolerversionofyourself]

Joy Ang shows off the process behind The Anthology Project’s cover. You can (and should) view every step here.

The 20 Irrefutable Theories Of Book Cover Design, Part II

handelsaurus:

Irrefutable Theories 1-10, My Linktastic Notes from AIGA Small Talk with Jamie Keenan and Jon Gray, May 5, 2010. Above: Unheimlich Theory

i. Face Theory

The face is the first and direct form of communication. People have a natural tendency or preference to recognize faces in images

Otherwise Pandemonium, Nick Hornby; Never Let Me Go, Kazuo Ishiguro

ii. Association Theory

Stimulus and desired response, like Pavlov’s dog

iii. Type As Image Theory

Everything is Illuminated, Jonathan Safran Foer; Eating Animals, Jonathan Safran Foer; Emergence, Steven Berlin Johnson

The original design for Eating Animals had all the text illustrated as white gristle on a steak chop! Funny, clever but rejected. Oh well

iv. Overdetermination Theory

The image signals an inevitable outcome

v. Ringfence Theory

Gestalt, positive negative spaces, the vase-versus-faces image

Girls of Riyadh, Rajaa Alsanea; The Fortress of Solitude, Jonathan Lethem

Jon Gray noted that the creative brief for Jonathan Lethem’s title gave unusually backward instruction: that the cover should use a die cut. See also: Men and Cartoons

vi. Zoom Theory

Solving two predicaments: e.g. how does one design Ben Hur on a budget and without revealing the principal actors?

Then We Came to the End, Josh Ferris; A Short History of the World, H.G. Wells

vii. Encapsulation Theory

Recognizing one clear signal instead of decoding mutliple signs

The Lazarus Project, Aleksandar Hemon; Extremely Loud & Incredibly Close, Jonathan Safran Foer

Jon Gray also showed a Korean adaptation of the hand design in which the embedded words were replaced by Korean characters

viii. Utilitarian Theory (Sorry I wrote nothing!)

ix. Molecular Theory

Additional layer, dimension

Company of Liars, Karen Maitland; The Owl Killers, Karen Maitland

x. Unheimlich Theory

(After ‘Heimlich’, as in the Maneuver) Both comfortable and unsettling

The Murder, John Steinbeck; Busted: Life Inside the Great Mortgage Meltdown, Edmund L. Andrews

Next: The 20 Irrefutable Theories, Part 3

The 20 Irrefutable Theories Of Book Cover Design, Part I

handelsaurus:

(Above - something I arranged super-quick at my desk. The lettering could be better but hey, this was a super-quick-fast!)

May 5, 2010, AIGA’s Small Talk No. 7: Jon Gray (gray318) & Jamie Keenan:  XX: The Twenty Irrefutable Theories of Book Cover Design (Or How We Learned to Stop Worrying and Love the Kill Fee). The tag team presentation rolled out cover design slides and theories at a fast and furious pace. The ‘20 Irrefutable Theories’ may sound absolute and definitive but much of it was knowing/tongue-in-cheek; there was frequent overlap amongst the theories and examples; and really, it was just a fun framework for talking about their work and showing a lot of slides.

I’m a bad note-taker to begin with (working on it), but here’s the 20 Irrefutable Theories according to Gray and Keenan. After the initial listing I’ll break them down with brief descriptions and examples (the ones I managed to jot down, anyway).

THE 20 IRREFUTABLE THEORIES OF BOOK COVER DESIGN

i. Face Theory

ii. Association Theory

iii. Type As Image Theory

iv. Overdetermination Theory

v. Ringfence Theory

vi. Zoom Theory

vii. Encapsulation Theory

viii. Utilitarian Theory

ix. Molecular Theory

x. Unheimlich Theory

xi. Absent Presence Theory

xii. Toy Theory

xiii. Method Theory

xiv. Jiu Jitsu Theory

xv. Combination Theory

xvi. Navigation Theory

xvii. Turd Theory

xviii. Iceberg Theroy

xviv. Maximalism Theory

xx. And Finally … Theory

Next: The 20 Irrefutable Theories, Part 2

The 20 Irrefutable Theories Of Book Cover Design, Part III

handelsaurus:

Irrefutable Theories 11-20, My Linktastic Notes from AIGA Small Talk with Jamie Keenan and Jon Gray, May 5, 2010. Above: Method Theory

xi. Absent Presence Theory

Unseen, the imagined. Something hidden or out of the frame

Marcel Proust’s Search for Lost Time: A Reader’s Guide to The Remembrance of Things Past, Patrick Alexander; This Book Will Save Your Life, A.M. Homes

I think the missing donut is key to illustrating Absent Presence Theory; other variations of this design (on amazon and elsewhere) show six donuts and giant, oafishly rendered type

xii. Toy Theory

Fixed vs. fluid design: making the viewer an active participant

Dear Mr. President, Gabe Hudson; The Blind Watchmaker, Richard Dawkins

xiii. Method Theory

Like method acting! Designing from within/by method, instead of designing from outside

Faster, James Gleick

xiv. Jiu Jitsu Theory

Viewers’ negative preconceptions can be reversed and subverted

The Man In The High Castle, Philip K. Dick

xv. Combination Theory

There is usually only one opportunity to punch the viewer in the face. Combination Theory enables two punches at once

Abyssinian Chronicles, Moses Isegawa

xvi. Navigation Theory

The learned coded visual sequence of left to right, top to bottom: follow the yellow brick road

The Mayor’s Tongue, Nathaniel Rich; 13 Things That Don’t Make Sense, Michael Brooks

xvii. Turd Theory

Repulsion can be transformed into attraction: whereas one turd is repulsive, 16 is attractive (this theory is demonstrated through series design)

Maigret series, Georges Simenon

There is also an amazing Ian Fleming/James Bond series but I couldn’t find a link to it

xviii. Iceberg Theory

Subliminals, under the radar (sorry! failed to make notes on this one)

xviv. Maximalism Theory

Or: Kitchen Sink, Up to 11, More is More. The ‘visual casserole’

The Great Perhaps, Joe Meno; Viral Loop, Adam Penenberg

xx. And Finally … Theory

‘Everyone loves a fluffy kitten’: Here they showed a design of last resort, in which they featured a fluffy kitten. I didn’t right down the title (probably too busy laughing)

——

And there you have it! 20 Irrefutable Theories of Book Cover Design, according to Jamie Keenan and Jon Gray. After the formal presentation Jamie Keenan revealed in question and answer that his work was often rejected for appearing ‘too American’ (!) and between the two of them Jon Gray did more work with British publishers.

Be sure to check out Jamie Keenan’s site for more (the gray318 site is a bit scant at the time of this writing) as well as The Book Cover Archive, which has lots more examples of Jon Gray and Jamie Keenan’s work as well as others. And of course, your friendly neighborhood amazon

——

P.S. Tired of screwing around trying to make these posts appear in the correct order - part 3 seems to appear before part 2 in the tumblr feed. Any ideas why?? Maybe I will just avoid multi-part posts from now on

Passion Pictures presents Giants. David Kamp was behind the sound design, for this and also this.

David Pearson had so many penguins before leaving them for his own studio.

He is still designing Great Ideas.

John Gray / gray318 did this for Penguin.

via Book Cover Design.

Rick Jacques is making beautiful book covers.

Rick Jacques:

Finally finished book cover for twenty-thousand leagues under the sea. All handmade Copper spine was etched with acid to reveal the letters, lettering on front was wood burned, inside is a stripped paper back version of the book wrapped in leather paper then glued on to the spine, and the back has a heat transfer of the summary of the book.

via Incandenza.

If you need an analogy, use an animal. If you see a ladder in a piece of design or illustration, it means the deadline was short. Red, white, black, and gray always go together. Negative space. Size contrast. Directional contrast. Compositional foundations.

Frank Chimero, in response to Anonymous asking for us all: What advice would you give to a graphic design student?

If you can’t read it there, read it here.